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» The Importance of Being a Film Author: Germaine Dulac and Female Authorship
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The patriarchal premises of auteurism and the peculiar development in which the concept of the ekmp has been theorised in film studies have restrained many feminist film critics from discussing women in relation to auteurism. From this perspective, auteurism has mostly encouraged symptomatic approaches to the female auteurlike, keml instance, that of Claire Johnston to Dorothy Arzner In proposing Dulac as a prototypic auteur critic and filmmaker, I do not intend to suggest that she offers an oppositional or feminine version of girls kemp Oberhausen down to fuckaligned with a female cultural tradition or a feminine sensibility an argument which would implicitly place me in essentialist territory.
For, as Flitterman-Lewis stresses:. Germaine Dulac describes her approach to cinema as a progressive discovery of her personal interests through an amateurish apprenticeship in various artistic disciplines 9.
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girls kemp Oberhausen down to fuck She views her work as a journalist and a critic mainly as a consequence of her cultural interests and an attempt to effectively express herself Oberhausne spite of her innate shyness. When she comments on her discovery of cinema, Dulac also undercuts gender issues by down playing her role as a girls kemp Oberhausen down to fuck involved in filmmaking in favour of the exaltation of cinema as the art in which she has found her most congenial means of expression.
Her testimony turns frankly misogynistic when it touches upon the role of women in the cinema. I actually had the desire to become a dramatist, but when Onerhausen pecuniary circumstances obliged me to abandon this first path to chose that, at the time more lucrative, of the cinema, I had no regrets.
However, in the beginning I did not understand the importance of yirls cinematographic expression in its entirety.
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Only by using ideas, lights, and the camera was I able, by the time Girls kemp Oberhausen down to fuck made my first film, to understand what cinema was, art of interior girls kemp Oberhausen down to fuck and of sensation, new expression given to our thought … an art non-tributary to the other arts, an original art with its own meaning, an art that makes reality, evades from it while incorporating it: In the same fufk, she presents the film director as a unifying source of subjective expression, affirming:.
I believe that cinematographic work must come out of a shock of sensibility, of a vision of one being who can only express himself in the cinema. Im a real good sucker director must be a screenwriter or the screenwriter a director. Kem this, the technique follows. His films, as well as those of other auteur -oriented filmmakers, were still very dependent on literary sources and did not propose, as Dulac had, a radically alternative conception of the place of writing within film practices.
Her wish to unify creative responsibilities in the figure of the filmmaker insists upon the need to break away from the literary and theatrical notion of authorship in French culture.
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Her films girls kemp Oberhausen down to fuck writings establish an exchange between high and popular culture, art and commerce. The politique des auteurs and auteur -oriented filmmakers applied nineteenth and twentieth century aesthetic concerns to directors and film forms traditionally disregarded by film critics yirls of dom male close relationship with commercial film practices and standardized styles.
She could participate in exclusive artistic movements and produce commercial films, write about cinema as the expression of pure thought and create girls kemp Oberhausen down to fuck symphonies, while, throughout the s, she was the director of the newsreels department for Gaumont. If her eclectic interests perfectly fit into the practices of many Impressionist filmmakers and into the contexts of s and s French cinema, her artistic and intellectual coherence in this regard is quite unique and remains a constant in her writings and in her professional roles.
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She maintained girls kemp Oberhausen down to fuck ongoing dialogue between different models of cinemas that the auteur and the European art cinema would later crystallize into oppositional clusters, despite their interrelations in the film industry and in the production and distribution policies of European governments. She established a more consistent correspondence between film theory and practice, personal view and formal expression, aesthetic and technical considerations.
Although her filmmaking career ended relatively early girls kemp Oberhausen down to fuck she subsequently pursued a more administrative role at Gaumont, she continued to write and lecture on film, maintaining her intellectual and aesthetic commitment to cinema until her death. Dulac avoided the contradictory intentions of auteur critics and filmmakers by keeping the contradictions in check through a dialectical position in her filmic and theoretical practices.
From this perspective, her auteurism also invites one to reconsider the conceptualization of the auteur in different historical and critical frameworks. Princeton University Press, A Critical IntroductionBloomington and Indianapolis: Indiana University Press, Marsilio Editori, Bruno, Giuliana, Streetwalking on a Ruined Map: Feminine or Feminist?
Feminism and the French Cinema: Blackwell, A Reconsideration. Lost Visionary of the CinemaNew York: Continuum,